FORMS APPEAR AS SENSATIONS. MESQUIN PERCEIVES THEM AS ONE PERCEIVES AN EMOTION: A TENSION, A WEIGHT, A DIRECTION. HE WORKS WITH SYNESTHESIA AND HYPNAGOGIC IMAGES, THOSE THAT ARISE ON THE EDGE OF REALITY, IN THAT FLOATING STATE WHERE EMOTIONS TAKE SHAPE BEFORE IDEAS.

 

THE THEMES THAT INSPIRE THE ARTIST ARE FEMININITY, PAIN, THE RELATIONSHIP TO THE BODY, DESIRE, FLESH, SEXUALITY, CONTEMPORARY SOCIETY, CURVES AND OUR RELATIONSHIP TO THE MATERIAL WORLD.